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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
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Bestflix: February 2016’s Best New Netflix Instant Titles

Bestflix — ScreenCrush’s monthly video series dedicated to finding the best new stuff to watch on Netflix — is back with more recommendations for December 2015. (If you missed October, November, or December’s episodes [we missed January], it’s not too late to add more great films and TV shows to your MyList.)

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Category: Uncategorized Tags:
Ziegfeld Theater
Bryan Bedder, Getty Images
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Requiem for a Movie Theater (And Maybe All Movie Theaters?)

The Ziegfeld Theater isn’t much to look at from the outside. True, it has that old-fashioned marquee, with the little light bulbs and the name “Ziegfeld” written in perfect cursive, as if God himself signed his name to a building. But otherwise its exterior is totally nondescript; maybe even ugly

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Category: Articles
2016 Oscars Host
ABC
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Academy Announces Initiative to Improve Member Diversity

Despite some nominees insistence that it is they, the white people, who are suffering under the brutal oppression of racism, the Academy of Motion Picture Arts and Sciences has decided to respond to the growing controversy over the lack of diversity among this year’s Oscar nominees by making some significant changes to how it selects its members, and then how it maintains those members once they’re admitted into the group.

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Category: Awards, Movies
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‘Dirty Grandpa’ Review: I Can’t Believe How Bad This Movie Is

Earlier this week, Buzzfeed’s Anne Helen Petersen wrote an essay called “The Shaming of Robert De Niro,” in which she criticized cinephiles who think De Niro should retire rather than continue to harm his legacy as one of his generation’s finest actors by appearing in subpar material. Such arguments, Petersen says, are “snobbery at best and thinly veiled ageism at worst.” Starring in films like The Bag Man, Red Lights, and Killing Season “might not be working with Scorsese for 10 years,” she adds, “but it’s not shameful.”

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Category: Articles
The Weinstein Co.
The Weinstein Co.
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‘Joy’ Review: Jennifer Lawrence Is Totally Miscast in This Business Biopic

Jennifer Lawrence was 24 when she shot Joy. Her character, Joy Mangano, was 34 when she invented the Miracle Mop and became one of the first stars of the QVC network. This fact remains inescapable throughout Joy. Lawrence remains watchable in Joy because, as one of our best young actors, she can’t help but be watchable. But she’s totally miscast as a divorced mother of two who’s been repeatedly beaten down by life’s disappointments. This part was meant for the Jennifer Lawrence of a 2025, not the one of 2015.

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