The first reviews of ‘Fifty Shades of Grey’ are out and most are pretty mixed on the film and whether or not it delivers on the white-hot sexuality of the original novel. But here is one film that absolutely brings the raw animal magnetism: ‘Fifty Shades of Buscemi,’ a mashup that inserts the great star of ‘Boardwalk Empire,’ ‘Fargo,’ and so many more into new film opposite star Dakota Johnson.
This is sort of a surprising-not-surprising news item. Universal is readying a sequel to last year’s phenomenally successful comedy ‘Neighbors,’ which starred Seth Rogen and Rose Byrne as married thirtysomethings whose suburban bliss with their newborn baby is spoiled by the arrival of a rowdy frat house next door. The first movie didn’t exactly leave a bunch of loose ends for Rogen, Byrne, and Efron to continue into another film, and comedy sequels don’t have a great track record. But the first movie did gross over $268 million worldwide against an $18 million budget. Hence the not-surprising part: Universal’s announcement that they’re working on a ‘Neighbors 2,’ which they hope to have in theaters by next summer.
Episode 415 of ‘Seinfeld’ was called “The Movie,” and it ended with Jerry delivering a monologue about the guy in every group of friends who can’t follow the plots of films and invariably spends them whispering confused questions to their seatmates (“Why did they kill that guy? I thought he was with them? Wasn't he with them? Why would they kill him if he was with them? Oh, he wasn't with them. It's a good thing they killed him!”) ‘Jupiter Ascending’ turned me into that guy. If you can explain the plot of this baffling movie in all of its intricacies, you are either a genius or one of the Wachowskis who wrote and directed it. It’s hard to believe that a movie that contains this much exposition could also be this confusing, but it does and it is. Something went horribly wrong here.
The dust has barely settled from the 2015 Sundance Film Festival, and already we’ve got a look at the lineup for the 2015 South by Southwest Film Festival. After an initial announcement that included opening night film ‘Brand,’ about comedian Russell Brand,’ things have filled out really nicely with a ton of promising-sounding selections.
So Sony and director Paul Feig have found their new Ghostbusters: Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. This whole idea of an all-female ‘Ghostbusters’ reboot came together after the passing of original series star and co-writer Harold Ramis, when director Ivan Reitman relinquished the franchise’s director’s chair and everyone involved finally gave up on trying to convince stubborn (and probably very wise) Bill Murray to make a second sequel to the original film.
After stops and starts and leaks and reversals, Quentin Tarantino’s 70mm Western ‘The Hateful Eight’ is now, finally, officially, definitively, happening. The Weinstein Company announced today that production has begun in Telluride, Colorado.
It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
I wonder if Chris Kyle was a Clint Eastwood fan. ‘American Sniper’’s marketing materials describe Kyle as “the most lethal sniper in U.S. history,” but before his military career, Kyle was a cowboy. He wore a hat and boots, and even carried a six-shooter. Eventually, he gave up the cowboy life and decided to serve his country. He was a gifted marksman and trained to be a Navy SEAL. But even as a soldier, Kyle never lost that cowboy swagger—or that sense that someone has to venture out into the frontier and protect the American way of life. That’s what Kyle learned from his father—who raised him to be a “sheepdog,” a watchful protector in a world of sheep and wolves—and from watching violent Westerns like the ones that made Eastwood a major Hollywood star.
Google “Gone Girl” and “Hitchcockian” and you get 37,400 results. (37,401, once this piece goes up.) Critics and viewers hailed David Fincher’s adaptation of author (and screenwriter) Gillian Flynn’s domestic drama as a superb modern version of an old-school thriller by the Master of Suspense. Whether that was Fincher and Flynn’s goal all along, or simply an interesting byproduct of their work, it’s interesting in light of today’s news that Fincher and Flynn are looking to reteam—along with their ‘Gone Girl’ star, Ben Affleck—on a remake of one of Hitchcock’s most beloved films, 1951’s ‘Strangers on a Train.’
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