A sequel to Ben Stiller’s ‘Zoolander’ has been a long time coming. The original movie, which followed the hilariously dumb misadventures of a male model named Derek Zoolander (Stiller), opened in the fall of 2001. 13 years later, work is finally starting to ramp up on the follow-up. Actor and writer Justin Theroux will direct ‘Zoolander 2’ (which should be called ‘2lander,’ for obvious reasons), and Stiller will reprise his role as Zoolander, along with Owen Wilson as his model buddy Hansel and Will Ferrell as the world’s most evil fashion designer Mugatu. Deadline says that the returning cast now has its first new addition in the form of the lovely Penelope Cruz.
“I’ll be back,” is no longer just Arnold Schwarzenegger’s most famous movie quote and catchphase. It’s now his main business model. While doing a Q&A in England last weekend, Schwarzenegger announced there was another potential sequel in his future: ‘The Running Man,’ his 1987 sci-fi thriller based on a novel by Stephen King about a dark future where criminals compete for their lives on reality television (that dark future, apparently, was the year 2014).
'White House Down' has the disadvantage of being the second 'Die Hard'-in-the-White-House movie of 2013 after 'Olympus Has Fallen,' and the advantage of being superior to its predecessor in every conceivable way. It's better directed, better written, and better acted. The action is better, with more impressive special effects; the production design is better, with a much more convincing replica of the White House; the camerawork is better; with clear, lucid images. Where 'Olympus Has Fallen' was grim and stern, 'White House Down' actually embraces the silliness of its premise. It's more exciting and more faithful to the 'Die Hard' formula. This is still basically a shameless ripoff popcorn movie, but it's a shameless ripoff popcorn movie popped to near-perfection.
The term "product placement" feels insufficient to describe the role of Google in 'The Internship.' This is not so much product placement in a movie as movie placement in a product. For two hours, viewers are treated to a series of bright, high-energy sales pitches for the San Francisco search engine and its vast array of products and services -- Google Play, Google Drive, Google Helpline, Google Maps and, of course, plain-old Googley Google -- plus, occasional attempts at comedy from Vince Vaughn and Owen Wilson while they stand in front of giant Google logos. Shameless? Absolutely. But that wouldn't be such a problem if 'The Internship' wasn't so mirthless, as well.
From the earliest days of his appearances in Marvel Comics' 'Tales of Suspense,' Tony Stark has always been modeled after aviator/inventor/industrialist Howard Hughes. With 'Iron Man 3,' Stark assumes a new dimension of Hughes' persona: that of the paranoid shut-in who, in his later years, became notorious for roaming his private floor of the Desert Inn Hotel in Las Vegas, freaking out about invisible germs and collecting jars of his own urine. 'Iron Man 3's' Tony Stark, played once again by the inimitable Robert Downey Jr.isn't quite that bad, but he's getting there.
After the events chronicled in 'The Avengers,' where Manhattan was nearly leveled by invading aliens and Tony himself was almost killed, he's become obsessed with upgrading his armor -- leaping all the way from the Mark VII to the Mark 42 in a matter of months. When anyone mentions New York or aliens, Tony gets panic attacks. There's a reason Daredevil, not Iron Man, is the Marvel hero known as "The Man Without Fear." Poor Tony is terrified.
"Let's hope this still works," says David (Shiloh Fernandez) as he puts a key into the door of his family's old cabin in the woods. But of course he's not just talking about the key; he's talking about the idea of remaking 'The Evil Dead,' the 1981 cult classic that launched the careers of writer/director Sam Raimi, producer Robert Tapert, and star Bruce Campbell and remains close to the hearts of discerning horror fans everywhere. Between the original film and its two sequels, 'Evil Dead II' and 'Army of Darkness,' Raimi, Tapert, and Campbell created one of the most iconic horror franchises of all time. But that was thirty years ago. Times change; tastes change. And in the interim, 'Evil Dead' has been ripped off by so many other movies its plot smells about as fresh as a fruit cellar full of rotting cat corpses. Forget hoping it still works; you'd need the mother of all prayers, and maybe a blood sacrifice or two, to make an 'Evil Dead' remake click.
James Franco might not be the best actor working in movies today, but he's almost certainly the most fearless. His choices are as unpredictable as they are gutsy. He'll try just about anything: television dramas ('Freaks & Geeks'), soap operas ('General Hospital'), comedies ('Pineapple Express'), and big blockbusters ('Spider-Man,' 'Rise of the Planet of the Apes'). His latest role, in Harmony Korine's 'Spring Breakers,' might be his craziest and most daring to date. He plays Alien -- pronounced "A-Leen" in Franco's South Florida drawl -- a drug dealer and aspiring rapper who likes to boast that he's from another planet. Franco's performance is suitably extraterrestrial: hilarious, disturbing, deranged, poignant and endlessly quotable. In an instant classic scene, Alien shows off all his prized possessions -- machine guns and money and nunchucks and 'Scarface' DVDs on constant repeat -- while screaming "Look at my s---!" Alien's orders are superfluous; any time Franco's onscreen, you can't take your eyes off him.
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