Even dating back to the beginning of his career, Paul Thomas Anderson has always liked working with musicians. In 1997, while putting the finishing touches on Boogie Nights, Anderson and several of his cast members snuck in an iconic music video for Michael Penn’s Try (and yes, Michael is the older brother of actor-writer-director Sean). Over the next two decades, Anderson would lend his talents to the music videos of a diverse group of artists, including — but not limited to — Aimee Mann, Fiona Apple, Radiohead, and Joanna Newsom. Anderson’s most recent music video, released just this April, was for the song ‘Right Now’ by the band Haim, proving that his film schedule won’t keep him from shooting more music videos going forward.
Another weekend, another Weekend Box Office Report! While it won’t surprise you to find out that Michael Bay’s latest episode of Rock ’Em Sock ’Em Robots won the weekend, the specifics of that win come with enough asterisks to make even Barry Bonds blush. It was a terrible weekend for Transformers: The Last Knight one on continent and a record-breaking opening on another, which just goes to show how confusing this whole box office thing can be at times. Here’s the projected numbers as of Sunday afternoon:
For years now, America has been struggling with the allegations that Bill Cosby — once a beloved television father and comedian — may have used his position in Hollywood to commit a series of violent sexual assaults. For those unfamiliar with the timeline involved in the Cosby case, I would encourage you to check out ABC’s detailed recap of everything that led up to this past month’s trial, including the civil cases brought against the actor-comedian and the Hannibal Burgess joke that is widely regarded as the instigating event in bringing these accusations to the public. And today, as noted by Deadline, a Norristown, PA jury has forced the judge to declare a mistrial in Andrea Costand’s case against Cosby.
If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:
After breaking the record for the most trailer views in a single day, expectations couldn’t be higher for Andres Muschietti’s remake of It. It wasn’t long ago that this seemed like a project destined for trouble; the film’s original director — and still credited screenwriter — Cary Fukunaga dropped out of the production after the studio wouldn’t budge on letting him make an ‘unconventional’ horror film, causing fans to worry we were in for another bland adaptation of a Stephen King novel. All was forgiven, of course, when New Lined delivered that amazing first It teaser trailer, but could they keep it up?
You know how culture critics sometimes say you should stop being surprised when diverse films do well at the box office? They may be right, but even the most optimistic pundit probably couldn’t have seen this weekend coming
While decades of film journalism has taught us to treat Hollywood insiders as the sole source of movie rumors, there are plenty of places to go for production updates if you know where to look. Movie studios are businesses, after all, and business have to do things like file for copyrights, pull permits, and, sometimes, submit films and trailers to government agencies for review. That’s how we are able to bring you today’s update on the long-anticipated trailer for Columbia Pictures’ The Dark Tower adaptation. It didn’t come from some studio executive sending text messages on the sly; it came from the Consumer Protection agency of British Columbia.
In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
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