The 2016 summer box office hit another speed bump this week as two major releases — a sequel and a potential franchise-starter — opened to disappointing numbers. However, it wasn’t all doom and gloom. Despite the poor starts for Warcraft and Now You See Me 2, The Conjuring 2 opened at number one with the kind of debut that proves modestly budgeted horror movies with R ratings still have a place in the blockbuster months.
This may have been one of the weakest weekends at the box office this summer, with audiences seemingly avoiding movies new and old like the plague. Even the victories feel a little half-hearted, with Teenage Mutant Ninja Turtles: Out of the Shadows taking number one at the box office while not even coming close to matching the business of the first film. With Popstar: Never Stop Never Stopping simply bombing, the only new release to show promise was Me Before You.
In news that should surprise no one at all, Captain America: Civil War remained number one at the box office in its second weekend, dominating a week where the only new competition was a thriller skewed toward older audiences and a barely marketed horror film.
A little movie called Captain America: Civl War came out this weekend and made the exact kind of money you’d expect it to make. The thirteenth film in the Marvel Cinematic Universe didn’t have the biggest opening in the series’ history, but it was close enough. It’s easily the biggest opening for a Captain America solo movie (albeit ballooned by a co-starring role for Iron Man) and it managed to open bigger than its chief rival this year, Batman v Superman: Dawn of Justice. That’s certainly a win.
For the third weekend in a row, The Jungle Book dominated the box office, taking the top spot and making it look easy. It’s been a fairly astonishing run for a movie that felt like a big question mark a few months ago, but this is what the combination of spectacle, strong reviews, and strong word-of-mouth brings you. While this weekend was ultimately all about Jon Favreau’s big-budget take on Rudyard Kipling’s beloved stories, there were a few other new releases. But as you could have guessed, Keanu, Mother’s Day, and Ratchet and Clank didn’t do solid enough business to warrant mention in the headline.
After last week’s stellar opening, it was clear that The Jungle Book was going to hold on to the number one spot at the box office this weekend. However, it wasn’t clear that it would spell complete and total doom for the weekend’s other new release, The Huntsman: Winter’s War, which debuted with very disappointing numbers in second place.
Batman v Superman: Dawn of Justice held on to the number one spot at the box office this weekend, but it sure wasn’t pretty. Zack Snyder’s superhero showdown took a jaw-dropping tumble and if any other studio had decided to release a major film this weekend, it probably would have sunk to second place. This film is already proving to be a fascinating case study in marketing versus word of mouth: one earns you an opening weekend while the other gives you legs.
In news that shouldn’t come as a surprise to anyone with a child in their life, Zootopia held on to the number one spot at the box office this weekend and made it look effortless. And yet, 10 Cloverfield Lane’s second place opening is nothing to scoff at, especially for a modestly budged, small-scale thriller (although the “Cloverfield” in the title certainly helped).
That sound you hear is the folks over at Disney popping a couple dozen bottles of champagne — Zootopia didn’t just open at number one at the box office, it had the biggest opening of any film in the history of Walt Disney Animation Studios, beating out 2014’s Frozen. Unfortunately, the rest of the newcomers didn’t fare quite as well, with London Has Fallen and Whiskey Tango Foxtrot limping into second and fourth place, respectively.
Last year, SNL was hosted by Republican presidential nominee frontrunner Donald Trump and the response was unkind, to say the least. Back then, he still seemed like a big joke — just a loudmouth who was surely going to drop out at any moment. And now, as he wins primary after primary, the beloved sketch show has slowly turned on Trump, culminating in a faux campaign ad that lands like a punch to the gut.
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