Shia LaBeouf gets arrested a lot. And not “a lot” relative to law-abiding namby-pambies like you or me, I mean “a lot” relative to a street-level Adderall dealer. There was the incident in 2005, where he got an assault with a deadly weapon charge after threatening his neighbor by driving directly into his car, the 2007 arrest outside a Chicago Walgreens, the 2008 drunk driving accident and subsequent license suspension, the 2011 bar fight, the 2014 disorderly conduct charge outside Studio 54, a public intoxication arrest in 2015, and then a minor harassment violation back in this most recent January during an anti-Trump demonstration. That’s quite the rap sheet, but it’s like the old judicial system proverb goes: “Seven strikes and you’re out, unless you’re famous and wealthy, in which case just try to be more careful next time.”
The world approaches a great cataclysm in the latest trailer for the upcoming adaptation of Stephen King’s fantasy novel The Dark Tower, but the specific nature of that cosmic upheaval, I know not what. Not having read the source novel, I’ve decided to go into the film cold when it premieres on August 4, and so far, I’ve done a pretty solid job of keeping myself unsullied by plot revelations. The new international trailer does me a favor, too, by playing all of its details of plot close to the vest. There’s a whole lot of ominous talking, stars Idris Elba and Matthew McConaughey appear to have some manner of beef that could decide the fate of the known universe, but beyond that, I’m in the dark (tower).
Two decades ago, could any of us have predicted the future that awaited Harry Potter? One massively successful book expanded to seven, which begat a theme park, a universe’s worth of merchandising, eight films, a play, and a new tangentially related franchise. And for those fans who still want more Potter, there is Pottermore.
Aside from the unceasing public scrutiny, being an A-list actor doesn’t seem so bad. You get paid obscene amounts of money, meet interesting people, and get to travel all across this green Earth in the name of work. And today, you can share in that last part with none other than professional shirtless runner Tom Cruise! Universal will unwrap The Mummy a week from this Friday, and to further stoke excitement for the launch of their new, hilariously-named Dark Universe, the studio has unveiled a video featurette in which star Cruise brings the viewer on a tour of the far-flung locations on which the film was shot.
To paraphrase baseball great and latter-day Confucius figure Yogi Berra: it ain’t over ’til David Lynch states in non-ambiguous language that it’s over, and even then, you can never be too sure. As if from on high, the esteemed filmmaker has handed down to we mere mortal a new season of his cult-beloved TV series Twin Peaks, but his fans know full well that the good Lynch giveth and the good Lynch taketh away. For even as he was givething us new TV, the fear persisted that he had takethed away any hope of another feature film in the future.
Those of you with an interest in the changing face of theatrical exhibition and film festival bylaws (there are dozens of us!) may have caught wind of some recent meshugas unfolding in France. This year’s main Competition slate at the Cannes Film Festival included two films from online-streaming giant Netflix, Bong Joon Ho’s creature feature Okja and Noah Baumbach’s singlehanded resurrection of Adam Sandler The Meyerowitz Stories. But there‘s been some consternation about opening the gates of Cannes to films that may never see release in France outside of the Internet. Is a movie that doesn’t play in a movie theater a movie at all?
Last summer, a spat allegedly broke out between Fast and Furious franchise megastars Vin Diesel and Dwayne ‘The Rock’ Johnson while shooting the latest installment The Fate of the Furious. There were rumors of unprofessionalism on set, Johnson threw around the term “candy-ass” pretty liberally, it was a hoot for all involved. But it did cast some doubt on Johnson’s future with the series; there was no telling whether the performer could be persuaded to return for another collaboration with a guy he seemingly couldn’t stand. But a new revelation today (well, new for all of you — Johnson and I are well-documented besties and have been Gchatting about this all week) clarifies the fate of this furious man.
A few years ago, I wrote up a brief item about an incident taking place at Los Angeles’ AFI Film Festival wherein an irate woman maced a man in the face for having the gall to ask her to turn off her cell phone during a screening of Mike Leigh’s J.M.W. Turner biopic Mr. Turner. “Wow, being at the movies sure makes people do crazy things!” I thought to myself. “I wonder how long it’ll be until the next time I get to write about a violent movie theater conflict over petty nonsense.” That day has come at last, and this time [beat to let the moment breathe] the stakes are even higher.
You may remember pop star Beyoncé Knowles from her stint in the late-’90s/early-’00s R&B girl group Destiny‘s Child with “Pretty Girl Rock” singer Kelly Rowland and Michelle Williams (not the one from Manchester by the Sea). But did you know that the celebrated performer has cultivated an active solo career in the years since the group that made her famous broke up? Believe it or not, Knowles released a string of successful studio records over the past decade, starred in the music-video-compilation film Lemonade last year, and wed rapping man Jayson Z in 2008. And with that, I have completed my impression of someone who only heard of Beyoncé when scanning her Wikipedia page just now. We all know who Beyoncé is. She‘s Beyoncé.
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
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