Today brings news that San Diego Comic-Con will play host to a special panel to celebrate the 30th anniversary of Aliens, James Cameron’s sequel to Ridley Scott’s sci-fi horror classic. Cameron himself will be in attendance along with Sigourney Weaver, who is still talking up Neill Blomkamp’s new Alien sequel despite reports that the project had been delayed due to Scott’s own Alien prequel plans.
Everyone loves Emma Watson — the former star of the Harry Potter series has not only proven her worth as a talented actor, but she’s incredibly likable and, if nothing else, her film choices have been somewhat interesting post-Hogwarts (if not always great). So it comes as a bit of a surprise that her latest film, the cult thriller The Colony, only brought in 47 pounds in its opening weekend in the UK. That’s about 60 dollars in the US. That’s not a lot.
“The man in black fled across the desert and the gunslinger followed” — every fan of Stephen King’s The Dark Tower series has that opening line from The Gunslinger seared into their brains. We’ve already gotten a look at Idris Elba as the heroic gunslinger Roland Deschain, but today brings our first peek at the other half of that equation thanks to some new set photos of Matthew McConaughey.
In 2013, The Purge introduced an interesting horror concept: In the not-too-distant future, the government allows citizens to commit violent crimes for one night each year. That first film featured a nice white suburban family besieged by yuppie college kids, only fleetingly paying any mind to more fascinating ideas about class warfare. The Purge: Anarchy further established the mythology of the franchise by weaving a “one percent vs. the 99 percent” element into a tale of revenge. In 2016, we have The Purge: Election Year, which turns the sociopolitical commentary up to 11 in the most ridiculous, relevant installment of the series yet. Far from nuanced allegory, the sequel splits the difference between satire and low-brow camp in a film that could just as easily be The Idiot’s Guide to Being Woke in 2016.
It took 20 years for Roland Emmerich to deliver a sequel to Independence Day, a film that’s largely responsible for the modern summer blockbuster season. Unfortunately, it looks like most audiences didn’t think it was worth the wait. As predicted in recent weeks, Resurgence crash-landed in theaters with an underwhelming opening weekend that was no match for Pixar’s Finding Dory.
James Wan has firmly established himself as a modern master of horror with films like Saw, Insidious and The Conjuring, and though the filmmaker’s latest project isn’t one he directed himself, he is responsible for bringing it to the big screen. Wan produced Lights Out, and if the newest trailer for the upcoming horror flick is to be believed, you’re in for some serious scares.
There’s a moment early on in The Neon Demon, in which a fantastically icy Abbey Lee tells Elle Fanning’s doe-eyed aspiring model the first thing women notice about other women. Basically it’s: “Who is she f—ing? Could I f— them? How high can she climb? And is it higher than me?" It’s the closest thing to a thesis statement you’ll find in Nicolas Winding Refn’s latest film, a stylishly surreal effort that’s equal parts deranged fairy tale and devious satire, where all that glitters is ultimately cold.
Summer is here and in case you’re blissfully unaware, it is gross outside. Good thing there are plenty of new movies to help you escape, whether it’s in a theater or at home. For the latter, July brings tons of options to enjoy from the comfort of your couch, including recent indie favorites like Green Room and Everybody Wants Some. If you’re looking for something a bit more…epic…then Zack Snyder’s Ultimate Edition of Batman v Superman might be just your speed, and for the melodically inclined, next month has you covered with several biopics and the delightful musical Sing Street. Read on for our complete guide to July’s new DVD and Blu-ray releases.
Like that creepy doll from The Conjuring, that creepy nun from James Wan’s The Conjuring 2 will also get her own spinoff, further expanding the spooky Wan-iverse. The director’s fictional versions of famous paranormal investigators Ed and Lorraine Warren have housed an entire collection of keepsakes and haunted objects from their cases, meaning there’s no shortage of possibilities for Wan’s ever-growing franchise.
Warner Bros. execs made it pretty clear that Suicide Squad wasn’t aiming for an R-rating, though if any of their upcoming DC movies would be rated R, it’s the one that makes the most sense. Still, despite the success of Deadpool, WB has decided that Suicide Squad should be for everyone — well, everyone age 13 and up, and also probably a few clever kids who convince their parents that David Ayer’s rowdy comic book movie is an imperative exploration of complex morals in government relations, or something.
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