If you’ve read Stephen King’s It, then the idea of a film adaptation that isn’t rated R sounds preposterous — and yet, it happened before with the 1990 television miniseries (which does not hold up, by the way). For those concerned that the new adaptation from director Andres Muschietti might forgo the R rating in favor of courting a wider audience, the producer of the upcoming film has laid those worries to rest while also confirming that Warner Bros. has every intention of making a sequel.
A handful of Super Bowl ads have already landed online ahead of this Sunday’s big game — it’s the usual mix of TV spots for upcoming movies like Ghost in the Shell and Transformers: The Last Knight, along with a few ads featuring familiar faces like Gal Gadot and John Malkovich promoting businesses and collecting paychecks. And then there’s Honda. Like others, their ad for this year’s Super Bowl also features several beloved celebs, but there’s something kind of unnerving about the execution.
This week, Milla Jovovich’s Alice (we know her name is Alice because she says “My name is Alice” like, 12 times in every movie) returns to the big screen to battle viral zombies yet again in Resident Evil: The Final Chapter. As the title implies, this is to be the last sequel in the franchise, which would be great because Milla clearly deserves a nap — I say “would be” because, as movie franchise history has taught us, there is no such thing as a final chapter. To prove it, we’ve collected 15 movie sequels with titles that promised they’d be the last; they most definitely were not.
The Visit was a welcome, wonderfully kooky return to smaller, simpler genre-bending fare for M. Night Shyamalan, who’s back this year with yet another effective thriller: Split, in which James McAvoy gives a remarkable performance (or 23) as a man suffering from dissociative identity disorder. One of those identities kidnaps three young women, including one (played by Anya Taylor-Joy) whose ability to empathize with McAvoy puts her in a rather unique position.
We lost an incomparable actress, writer, icon, and amazing human being when Carrie Fisher passed away on December 27, 2016. No one is feeling that loss as deeply as those closest to her, and in the days since Fisher’s passing, we’ve had the privilege of reading and hearing some of their remembrances. Today, Mark Hamill has shared his own personal tribute to Fisher, offering a touching, humorous and appropriately candid essay for his Star Wars co-star and longtime friend.
Near the end of every year, Forbes releases their rankings of the top actors in Hollywood based on their box-office value and earnings (along with a list of the most overpaid actors, which is always interesting). This year, Scarlett Johansson tops the list of the highest-grossing actors in Hollywood, followed closely by Marvel co-stars Chris Evans and Robert Downey Jr., who tied for second place. What makes Johansson’s ranking even more notable, however, is her earnings — while RDJr. placed ninth on this year’s list of the highest-paid actors with $33 million, Johansson ranked third on the actress list with $25 million.
Today we mourn the loss of Carrie Fisher: Iconic actor, talented author, brilliant script doctor and, most of all, an incomparable force to be reckoned with. There are so many great adjectives you could use to describe Fisher: Uncompromising, unapologetic, fierce, witty, relatable, real, honest. She took all of those qualities and put them to work in her books — from memoirs to novels, Fisher had a knack for telling poignant and painful stories with wit and wisdom. Writing a worthy obituary for one of the best and boldest women on this planet or any other is surely an impossible task…so it’s a good thing that the perfect obit basically already exists, and unsurprisingly, Fisher came up with it herself.
“How good to see you again so soon, Mr. Wick.” Well, not that soon, but soon enough after his first outing to have us properly stoked for John Wick: Chapter 2. The latest trailer for Keanu Reeves’ shoot ’em up follow-up has arrived online, promising bigger and badder things for our favorite would-be-retired assassin — including a canine upgrade.
Just as Netflix Instant giveth, so must Netflix Instant taketh away, and while there are plenty of great new titles coming to the streaming giant’s service in January, there’s almost just as many that will expire. Now’s a good time to stop procrastinating and finally get around to checking out some of those 30 For 30 specials, or maybe binge-watch every season Murder, She Wrote (you can knock out 12 seasons of Jessica Fletcher in two weeks, right?). January also sees the exit of teen classics like Bring It On and Sixteen Candles, which sounds like a great Saturday night double feature — but you only have a few more weeks to make that happen.
Look, a lot of bad things happened in 2016 (so much so that the entire year has become a meme), but it’s time to look forward to all the promising things 2017 might bring — and your streaming BFF Netflix is already on top of it. There’s plenty of good stuff hitting the service in January, including premieres of Netflix Originals like A Series of Unfortunate Events and the YA film Coin Heist, as well as classics like Boogie Nights and The Shining.
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